Physically, sound is mechanical energy propagating through a medium as longitudinal pressure waves. These alternating compressions and rarefactions move outward from a source at approximately 343 meters per second (in air), displacing molecules and carrying encoded data about the physical events that generated them.

Every environment produces a continuous acoustic signature dictated by its physical composition: the reverberation of stone, the dampening density of vegetation, and the fluid movement of water and air. These signatures are never static; they shift with the hour, the season, the weather, and the presence, or absence, of life.

A place without its sound is only half remembered.

Where photography captures light reflected off surfaces in a frozen instant, field recording captures the pressure events that define a place’s living moment. It is an act of listening made permanent.

Frequency

The number of pressure cycles per second, measured in Hertz (Hz). Perceived as pitch. The human audible range spans approximately 20 Hz to 20,000 Hz.

Amplitude

he magnitude of pressure variation. Perceived as loudness and measured in decibels (dB SPL)—a logarithmic scale relative to the threshold of human hearing.

Timbre

The tonal quality that distinguishes one source from another at the same pitch and volume; essentially, the "acoustic fingerprint" of a sound.

Duration

The temporal span of a sound event, ranging from sub-millisecond transients to drones sustained over geological time.

Geophony Source type 01

Geophony

The oldest acoustic layer of our planet. Geophony comprises natural, non-biological sounds generated by physical and geological processes. It establishes the foundational frequency profile of a landscape.

Wind Rainfall Ocean swell River current Thunder Seismic tremor Ice movement
Biophony Source type 02

Biophony

The collective sound produced by living organisms, vocalizations, locomotion, and territorial signaling. Biophony is a critical indicator of ecosystem health; its density and diversity correlate directly with habitat quality.

Bird song Insect chorus Frog calls Whale song Snapping shrimp Mammal movement
Anthropophony Source type 03

Anthropophony

Human-generated sounds arising from technology, infrastructure, and collective activity. Anthropophony is now the dominant acoustic layer across much of the globe, often masking or suppressing geophonic and biophonic signals.

Traffic Machinery Crowd assembly Industrial processes Aviation Construction Music

Frequency Profile

The dominant spectral range where acoustic energy is concentrated.

Sub-bass Low Low-mid Mid High-mid High Broadband

Acoustic Texture

The temporal quality of the soundscape—how events are distributed across time.

Continuous Rhythmic Granular Transient Layered Sparse

Environmental Context

The physical setting—surface reflectivity, spatial volume, and proximity to boundaries that shape sound propagation.

Forest canopy Open water Urban corridor Enclosed space Desert plateau

Temporal Condition

The time-based context—time of day, season, and ecological moment.

Dawn chorus Dusk transition Nocturnal Storm event Seasonal peak

Field Recording
Principles

Aurafact recordings are captured in natural listening conditions without post-processing or acoustic isolation. Each recording preserves the full acoustic relationships present at the moment of capture, the incidental, the peripheral, and the ambient included.

  • Perspective: Microphones are positioned to reflect natural human listening height and orientation.

  • Purity: No noise reduction, equalization, or dynamic processing is applied. The noise floor is treated as a vital part of the specimen.

  • Documentation: Every capture is anchored by precise GPS coordinates, timestamps, meteorological data, and equipment logs.

  • Non-Interference: The recordist’s presence is minimized to ensure zero acoustic impact on the environment.

Field recording in the boreal interior
Recording equipment in the field